The story of how one of Toronto's most iconic private printing press mavens got started begins on a epic one.
Straight out of OCAD, print artist Jacob Horwood found his golden ticket and was accepted as a member at queer nightlife legend and artist Will Munro's Punch Clock Printing studio.
There he learned everything he need to know under the watchful eyes of Munro and co-conspirator Michael Comeau - the two men responsible for the Vazaleen posters that once decorated the city in the early 2000s.
As the years moved on, Horwood grew his skills and took over the business after Munro passed away from cancer in 2010, and the studio, now called Private Press Printing, relocated to Sorauren Avenue.
"In the beginning, I was printing whatever I could get," says Horwood. "A handful a bands, film festivals that needed annual posters, but mostly referrals."
But his business and process grew as he set out on his own. "Some people tell me, 'I couldn’t print for other people... graphic designers are crazy.' If you mess up you lose three days of work ...that’s a chance I take with every contract," he says.
Horwood often discovers music, parties and artists he likes through commissioned projects.
He's done work for countless local businesses, events, renowned visual artists (including Luis Jacob, Oliver Husain and in/future festival participant Philippe Blanchard, to name a few) and bands.
"Sometimes bands come through and say, 'oh you’re in Canada and we need shirts tonight,'" Horwood says. Rush jobs like that, he explains, crop up occasionally when bands don't want to bring merch over the border.
"They’ll call and say, 'we’re in Buffalo, we have a show tomorrow.' Propagandi was one of them," Horwood continues.
Weaves, Dwayne Gretsky, Greys, Vag Halen and New Fries are some other bands he's worked with. While event posters are a thing of the past (he started doing two a week in the early 2000s, and now does two a year), the screen printing business is anything but dead.
"I would say it's not exactly thriving, it's not easy to get into it DIY," he says. "This scene leans towards commercial production, but I don’t get bored of this work, and it's all about community. The community is right here."
by Phil Villeneuve via blogTO
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